Monday, February 7, 2011
25 Quotes on Humour
"Laugh as much as possible, always laugh. It's the sweetest thing one can do for oneself & one's fellow human beings." - Maya Angelou
"A good laugh makes any interview, or any conversation, so much better." - Barbara Walters
"He who laughs, lasts." - Mary Pettibone Poole
"A good laugh overcomes more difficulties and dissipates more dark clouds than any other one thing." - Laura Ingalls Wilder
"There is nothing like a gleam of humour to re-assure you that a fellow human being is ticking inside a strange face." - Eva Hoffman
"Through humour, you can soften some of the worst blows that life delivers. And once you find laughter, no matter how painful your situation might be, you can survive it." - Bill Cosby
"A person without a sense of humour is like a wagon without springs. It's jolted by every pebble on the road." - Henry Ward Beecher
"It is a curious fact that people are never so trivial as when they take themselves seriously." - Oscar Wilde
"When humour goes, there goes civilisation." - Erma Bombeck
"A sense of humour... is needed armour. Joy in one's heart and some laughter on one's lips is a sign that the person down deep has a pretty good grasp of life." - Hugh Sidey
"A sense of humour is part of the art of leadership, of getting along with people, of getting things done" - Dwight D. Eisenhower
"I think the next best thing to solving a problem is finding some humour in it." - Frank A. Clark
"No mind is thoroughly well organised that is deficient in a sense of humour." - Samuel Taylor Coleridge
"Comedy is acting out optimism." - Robin Williams
"A well-developed sense of humour is the pole that adds balance to your steps as you walk the tightrope of life." - William Arthur Ward
"Humour can alter any situation and help us cope at the very instant we are laughing." - Allen Klein
"Humour is just another defense against the universe." - Mel Brooks
"Humour is laughing at what you haven't got when you ought to have it." - Langston Hughes
"Humour is perhaps a sense of intellectual perspective: an awareness that some things are really important, others not; and that the two kinds are most oddly jumbled in everyday affairs." - Christopher Morley
"If you could choose one characteristic that would get you through life, choose a sense of humour." - Jennifer Jones
"Humour is something that thrives between man's aspirations and his limitations. There is more logic in humour than in anything else. Because, you see, humour is truth." - Victor Borge
"Humour is the affectionate communication of insight." - Leo Rosten
"Like a welcome summer rain, humour may suddenly cleanse and cool the earth, the air and you." - Langston Hughes
"Next to power without honour, the most dangerous thing in the world is power without humour." - Eric Sevareid
"The more I live, the more I think that humour is the saving sense." - Jacob August Riis
Tuesday, February 1, 2011
5 Famous Philosophers' Greatest Hypocrisies
Or, sometimes, examples to be avoided.
In his new book, Examined Lives, Miller offers biographical sketches of 12 great philosophers, each of whom "struggled to life his life according to a deliberately chosen set of precepts and beliefs"—occasionally very unsuccessfully.
Brow Beat asked Miller, a professor of politics and director of liberal studies at the New School for Social Research, to offer five examples of times when famous philosophers utterly failed to put their theories into practice. Here's his list:
1. Aristotle (384-322 B.C.) taught in his Politics that "man is by nature an animal intended to live in a polis," an independent city-state that was small enough for citizens to know each other personally. However, he tutored Alexander the Great and was notorious in the Greek world for his unblinking support of the Macedonian Empire. After the death of Alexander in 323 B.C., Greeks enraged by Aristotle's conduct tore down a plaque honoring him at Delphi and threw it into a well. (In the 20th century, archeologists found fragments of the plaque.) Forced to flee for his safety from Athens, Aristotle died a year later in a city garrisoned by Macedonian troops.
2. In his essays, Seneca (4 B.C.-A.D. 65) praised a life of moderation devoted to the pursuit of wisdom, but as one of the Nero's highest-ranking associates he was a master of propaganda. For example, shortly after the emperor had poisoned a rival, Seneca drafted a speech, "On Mercy," praising the good ruler for "innocence of wrong"—a fawning admonition. Four years later, he helped the emperor figure out how to finish up a botched murder of Agrippina, Nero's mother. When he admits such contradictions in his writing, Seneca is disarming: "I am not wise," he demurs, "Require me not to be equal to the best, but better than the worst." Nero eventually ordered Seneca to commit suicide—which he did by slicing open his veins in a tub of steaming hot water.
3. Although Augustine (354-430) once declared that "there is more than one road to wisdom," he helped the early Roman Catholic Church turn persecution into an intellectual art form, as ruthlessly effective in theory as it could sometimes be in practice. As a bishop of his church in Northern Africa, he ordered the destruction of pagan temples and impassively watched while his denunciations provoked a rash of religious suicides, saying that God had allowed the heretics to "perish in their own flames" by "a hidden, though just, disposition."
4. In his writings, RenĂ© Descartes (1596-1650) claimed that he could secure an indubitable foundation for his philosophy by relying on the principles of pure mathematics. In reality, the inspiration for his scientific outlook was a series of dreams that he regarded, dubiously enough, as a revelation conveyed by a divine messenger. Years later, he attempted to prove in his Meditations that he had not fallen prey to "some malicious demon of the utmost cunning and power," because "it is impossible that God should ever deceive me"—one of the least persuasive arguments in the history of philosophy.
5. Jean-Jacques Rousseau (1712-1778) devoted an entire treatise, Emile, to showing how to raise a perfectly virtuous child—yet he abandoned all of his own children with his long-term mistress to a foundlings' home. He pleaded that poverty and poor health made him unfit to be a proper parent, while protesting that no one loved children more than he did. But at the end of his life, he had to concede that living an examined life had proved far harder than he had initially thought-and that "to dare to profess great virtues" without the courage needed to practice them "is to be arrogant and rash."
5 Famous Philosophers' Greatest Hypocrisies
Quotes by Mahatma Gandhi
"I first learned the concepts of non-violence in my marriage."
"Where there is love there is life."
"Whenever you are confronted with an opponent. Conquer him with love."
"My life is an indivisible whole, and all my attitudes run into one another; and they all have their rise in my insatiable love for mankind."
"A coward is incapable of exhibiting love; it is the prerogative of the brave."
"Anger and intolerance are the twin enemies of correct understanding."
"There is more to life than simply increasing its speed."
"I suppose leadership at one time meant muscles; but today it means getting along with people."
"An unjust law is itself a species of violence. Arrest for its breach is more so."
"A man who was completely innocent, offered himself as a sacrifice for the good of others, including his enemies, and became the ransom of the world. It was a perfect act."
"I have also seen children successfully surmounting the effects of an evil inheritance. That is due to purity being an inherent attribute of the soul."
"Indolence is a delightful but distressing state; we must be doing something to be happy. Action is no less necessary than thought to the instinctive tendencies of the human frame."
"Purity of mind and idleness are incompatible."
"If I had no sense of humor, I would long ago have committed suicide."
"As human beings, our greatness lies not so much in being able to remake the world -- that is the myth of the atomic age -- as in being able to remake ourselves."
"You must not lose faith in humanity. Humanity is an ocean; if a few drops of the ocean are dirty, the ocean does not become dirty."
"To believe what has not occurred in history will not occur at all, is to argue disbelief in the dignity of man."
"Hatred can be overcome only by love."
"Happiness is when what you think, what you say, and what you do are in harmony."
"Non-cooperation with evil is as much a duty as is cooperation with good."
Read more: http://www.answers.com/topic/quote-4?author=Gandhi,%20Mahatma&s2=Mahatma%20Gandhi#ixzz1Ch0oYTyY
More quotes by Mahatma Gandhi from Answers.com
Saturday, January 22, 2011
Production Companies accepting scripts
Getting your unsolicited script made (that’s any script written by a writer who is not represented by an agent), or at least read by a production company, is about the toughest way to break into the industry, but lots of people still ask me about it so here’s my two-pennies-worth…
If I go back only ten years I could have written a list here of nearly a hundred film and television production companies who would accept scripts submitted by new writers (writers they didn’t know, and who didn’t have an agent). I know because I made a living reading for about twenty of them. Sadly, that is no longer the case. It costs money to employ readers to plough through tens of thousands of scripts each year. The reality is that of those thousands of spec scripts, only a handful will be good enough for the production company to want to develop it and try to get it made. In essence the return on the money invested in reading unsolicited scripts is too small to make it viable for most companies.
However, maybe you are that one in ten thousand whose script is pretty much perfect but you don’t yet have an agent or any credits to your name. So how do you get a production company to read your script if you don’t have an agent? Well, there are still a handful of places accepting unsolicited submissions. The two biggies are BBC Writersroom (for television drama) and the UK Film Council (for feature films). These are two large organisations with the structure and funding to read huge numbers of scripts and take forward any projects they come
across that really excite them.
I’ve listed below all the places I’ve found that do still accept unsolicited script submissions. Check out their websites and follow their submission guidelines. If in doubt, contact them and ask what their policy is.
Do bear in mind that I’m not recommending these production companies, I’m just pulling together information that’s already in the public domain. It’s up to you to do your homework.
Saturday, January 8, 2011
Thursday, January 6, 2011
Photographic Editing
Photography is a communication medium. Every shot is a story that we are trying to tell, to show and inform the viewer. Editing is how we clarify that story, or help it fit within a particular contextual expression. If you start typing random letters on a page, you get gibberish, something nobody can understand, and nobody will care about. If instead of letters you start typing random words, viewers will be able to recognize the words, but there will be no focus or understanding regarding what you are trying to tell them. Start assembling the words, and suddenly people start to more clearly understand what you are trying to explain to them. Give further thought and refinement to how you arrange those words, restructure the grammar to impart more drama into your story, and suddenly you have poetry, prose, or a gripping novel that captures peoples attention, and triggers an emotional connection between the reader (viewer) and the story you have crafted for them.
Editing Photos is no different from editing text. You start with the idea that you want to convey, and then you determine the best way to use and arrange all of the elements at your disposal to make your story as clear, and emotionally accessible as possible. Some of that editing takes place in the field while looking through the view finder, and the rest takes place while comparing shots after the fact.
As a photographer what does photo editing entail? Is there a best practice to follow?
Assuming for editing in this context, we’re referring to after capture editing. Editing is the process by which we sift through our shots of a particular scene, and determine which image has the most dramatic impact, or clarity of subject or story. When taking that one second to review a page of 20 slides, there was always an image which stood out from the crowd, whose focus was so clear, and whose subject was so readily apparent, that there was no doubt within that one instance regarding what that image was about, or the story or emotion it was trying to convey.
Editing is subjective, and photographers are usually our own worst editors, since we’re emotionally invested in the images we make. We want to like everything we’ve taken, and we feel that everyone should respond to
our images just the way we hoped or intended.
And in the real world… it doesn’t quite work that way. Editing is personal, and it’s brutally tough if you can be hard enough on yourself to try and view your work objectively and dispassionately. But as best practice, edit out anything out of focus right off the bat. Anything over or underexposed that’s not recoverable… goodbye. Once all the outtakes are moved aside, I generally recommend the half approach. For any scene, or bracketed series, or any number of images, do a first run through and mark any image you think is good. Let’s say out of 100 shots, mark 50. Then of those 50, half them again, down to 25, 12, then be as tough as nails, and try and weed it down to a top 10, or 8, 6, or even 1.
What pitfalls do most photographers often run into when attempting to
edit their work?
Many photographers, myself included have what I called the Magic File Drawer. (digital folder or file cabinet) That’s where you’d put all those over/under exposed or out of focus blurry images, and in a few years, you’d re-open the drawer, hoping against hope that those “gee-I’d-really-wished-that-came-out” image would suddenly emerge perfect and flawless. Learn to let go of those images. I know it’s tough, but it’s understandable given that we’re all so connected to our own images, yet it needs to be done. Next on the list is that most photographers see in the image exactly what they wanted to see, as if they had magic zoom lenses for eyeballs. Yet for all that they see in the image, they most often fail to miss the obvious distractions or compositional flaws that keep the viewer from seeing the story as clearly as the photographer. You need to look at your own images fresh, like you’ve never seen it before, and ask yourself, is this showing what I want to show in the best possible way. If not, is there something I can do to fix or clarify the scene / story.
What does a photographers final edit say about the photographer or their work (to those viewing the final selections)?
Simply put, the combined in-field and post capture editing communicate the strength, style, and potency of the photographers personal vision. The refined editing is what captures the viewers attention and says “Here I Am; Look at me!” The combination of vision and editing determine whether the viewer is going to be hit upside the head with a marshmallow or a mallet. The viewer instantly responds, “oh yeah, wow! I get it” or “um….ok; it’s nice, but I’m not really sure about….”.
Is there a favorite story of yours that you can share when photo editing made an impact in your professional career?
I can’t really think of any one instance that made an impact on my career, probably because I’ve been doing this now for nearly 20 years.
One of the cardinal rules of editing slides or images for clients was “Only give the client what they are asking for”, and don’t throw in totally irrelevant images just because you think it’s a nice image. Yet countless times, I’ve still thrown in an image or two to a submission that I knew wasn’t what the client was asking for, and they’d wind up picking that image. It just goes to prove that editing, like viewing images is a subjective art that defies hard and fast rules. But the bottom line is that it’s a learned talent that takes practice. Listen to your inner critic, yet feel free to follow what your gut says. Sometimes I really love an image, and yet no one else seems to get it, and other times I’ve shot an image that I think is OK, but nothing special, and when I post it to an online photo forum I get raves and comments like “one of the best I’ve ever seen from you”
The one thing I like to leave my consulting and workshop clients with is the saying that people will judge you by your weakest image. Strive always to show your best, or at least find out what you could do to make an image better. Editing is about making your story clearer and your image(s) stronger. Go into that back room closet, or down to the goodwill store, get yourself a nice coat of armored skin, and think “Slash & burn”. The tougher you get, the stronger vision you’ll portray, and viewers will respond.
Sites to See Photography and Writing
Monday, December 6, 2010
Defecting by Accident - A Flaw Common to Analytical People
This brings the prisoner to a strange problem. The best solution individually is to defect. But if both take the individually best solution, then they'll be worst off overall. This has wide ranging implications for international relations, negotiation, politics, and many other fields.
Members of LessWrong are incredibly smart people who tend to like game theory, and debate and explore and try to understand problems like this. But, does knowing game theory actually make you more effective in real life?
I think the answer is yes, with a caveat - you need the basic social skills to implement your game theory solution. The worst-case scenario in an interrogation would be to "defect by accident" - meaning that you'd just blurt out something stupidly because you didn't think it through before speaking. This might result in you and your partner both receiving higher sentences... a very bad situation. Game theory doesn't take over until basic skill conditions are met, so that you could actually execute any plan you come up with.
The Purpose of This Post: I think many smart people "defect" by accident. I don't mean in serious situations like a police investigation. I mean in casual, everyday situations, where they tweak and upset people around them by accident, due to a lack of reflection of desired outcomes.
Rationalists should win. Defecting by accident frequently results in losing. Let's examine this phenomenon, and ideally work to improve it.
Contents Of This Post
- I'll define "defecting by accident."
- I'll explain a common outcome of defecting by accident.
- I'll give some recent, mild examples of accidental defections.
- I'll give examples of how to turn accidental defections into cooperation.
- I'll give some examples of how this can make you more successful at your goals.
- I'll list some books I recommend if you decide to learn more on the topic.
I know a lot of people who were nerds in school, and they all tell the same story: there is a strong correlation between being smart and being a nerd, and an even stronger inverse correlation between being a nerd and being popular. Being smart seems to make you unpopular.[...]The key to this mystery is to rephrase the question slightly. Why don't smart kids make themselves popular? If they're so smart, why don't they figure out how popularity works and beat the system, just as they do for standardized tests?[...]So if intelligence in itself is not a factor in popularity, why are smart kids so consistently unpopular? The answer, I think, is that they don't really want to be popular.If someone had told me that at the time, I would have laughed at him. Being unpopular in school makes kids miserable, some of them so miserable that they commit suicide. Telling me that I didn't want to be popular would have seemed like telling someone dying of thirst in a desert that he didn't want a glass of water. Of course I wanted to be popular.But in fact I didn't, not enough. There was something else I wanted more: to be smart.
Of course, they wouldn't phrase it that way. They'd say they don't have time for it - they don't have time for gossip, or politics, or sugarcoating. They might say, "I'm a realist" or "I say it like it is."
I believe this is a result of not realizing how big the difference in your effectiveness will be depending on how you phrase things, in what order, how well you appeal to another person's emotions. People in highly analytical disciplines often care about "just the facts" - but, let's face it, we highly analytical people are a great minority of the population.
Sooner or later, you're going to have something you care about and you're going to need to persuade someone who is not highly analytical. At that point, you run some serious risks of failure if you don't understand basic social skills.
Now, most people would claim that they have basic social skills. But I'm not sure this is borne out by observation. This used to be a very key part of any educated person's studies: rhetoric. FromWikiedpia:
"Rhetoric is the art of using language to communicate effectively and persuasively. ... From ancient Greece to the late 19th Century, it was a central part of Western education, filling the need to train public speakers and writers to move audiences to action with arguments."
Rhetoric is now frequently looked down upon by highly intelligent and analytical people. Like Paul Graham says, it's not that intellectuals can't learn it. It's that they think it's not a good use of their time, that they'd rather be
smart instead.
Defecting by Accident
Sometimes defecting is the right course of action. Sometimes you need to break from whoever you're negotiating with, insist that things are done your way, even at their expense, and take the consequences that may arise from that.
But it's rarely something you should do by accident.
I'll give specific, clear examples in a moment, but before I do so, let's look at a general example of how this can happen.
If you're at a meeting and someone gives a presentation and asks if anyone has questions, and you ask point-blank, "But we don't have the budget or skills to do that, how would we overcome that?" - then, that seems like a highly reasonable question. It's probably very intelligent.
What normal people would consider, though, is how this affects the perception of everyone in the room. To put it bluntly -it makes the presenter look very bad.
That's okay, if you decide that that's an acceptable part of what you're doing. But you now have someone who is likely to actively work to undermine you going forwards. A minor enemy. Just because you asked a question casually without thinking about it.
Interestingly, there's about a thousand ways you could be diplomatic and tactful to address the key issue you have - budgeting/staffing - without embarrassing the presenter. You could take them aside quietly later and express your concern. You could phrase it as, "This seems like an amazing idea and a great presentation. I wonder how we could secure the budgeting and get the team for it, because it seems like it'd be a profitable if we do, and it'd be a shame to miss this opportunity."
Just by phrasing it that way, you make the presenter look good even if the option can't be funded or staffed. Instead of expressing your concern as a hole in their presentation, you express it as a challenge to be overcome by everyone in the room. Instead of your underlying point coming across as "your idea is unfeasible," it comes across as, "You've brought this good idea to us, and I hope we're smart enough to make it work."
If the real goal is just to make sure budgeting and funding is taken care of, there's many ways to do that without embarrassing and making an enemy out of the presenter.
Defecting by accident is lacking the awareness, tact, and skill to realize what the secondary effects of your actions are and act accordingly to win.
This is a relatively basic problem that the majority of "normal" people understand, at least on a subconscious level. Most people realize that you can't just show up a presenter and make them look bad. Or at least, you should expect them to be hostile to you if you do. But many intelligent people say, "What the hell is his problem? I just asked a question."
This is due to a lack of understanding of social skills, diplomacy, tact, and yes, perhaps "politics" - which are unfortunately a reality of the world. And again, rationalists should win. If your actions are leading to hostility and defection against you, then you need to consider if your actions are the best possible.
"Why Our Kind Can't Cooperate"
From when I was still forced to attend, I remember our synagogue's annual fundraising appeal. It was a simple enough format, if I recall correctly. The rabbi and the treasurer talked about the shul's expenses and how vital this annual fundraise was, and then the synagogue's members called out their pledges from their seats.Straightforward, yes?Let me tell you about a different annual fundraising appeal. One that I ran, in fact; during the early years of a nonprofit organization that may not be named. One difference was that the appeal was conducted over the Internet. And another difference was that the audience was largely drawn from the atheist/libertarian/technophile/sf-fan/early-adopter/programmer/etc crowd. (To point in the rough direction of an empirical cluster in personspace. If you understood the phrase "empirical cluster in personspace" then you know who I'm talking about.)I crafted the fundraising appeal with care. By my nature I'm too proud to ask other people for help; but I've gotten over around 60% of that reluctance over the years. The nonprofit needed money and was growing too slowly, so I put some force and poetry into that year's annual appeal. I sent it out to several mailing lists that covered most of our potential support base.And almost immediately, people started posting to the mailing lists about why they weren't going to donate. Some of them raised basic questions about the nonprofit's philosophy and mission. Others talked about their brilliant ideas for all the other sources that the nonprofit could get funding from, instead of them. (They didn't volunteer to contact any of those sources themselves, they just had ideas for how we could do it.)Now you might say, "Well, maybe your mission and philosophy did have basic problems - you wouldn't want tocensor that discussion, would you?"Hold on to that thought.Because people were donating. We started getting donations right away, via Paypal. We even got congratulatory notes saying how the appeal had finally gotten them to start moving. A donation of $111.11 was accompanied by a message saying, "I decided to give **** a little bit more. One more hundred, one more ten, one more single, one more dime, and one more penny.
Indeed, that's a problem. Eliezer continues:All may not be for one, but this one is trying to be for all."But none of those donors posted their agreement to the mailing list. Not one.So far as any of those donors knew, they were alone. And when they tuned in the next day, they discovered not thanks, but arguments for why they shouldn't have donated. The criticisms, the justifications for not donating - only those were displayed proudly in the open.As though the treasurer had finished his annual appeal, and everyone not making a pledge had proudly stood up to call out justifications for refusing; while those making pledges whispered them quietly, so that no one could hear.
"It is dangerous to be half a rationalist."
On Being Pedantic, Sarcastic, Disagreeable, Non-Complimentary, and Otherwise Defecting by AccidentOur culture puts all the emphasis on heroic disagreement and heroic defiance, and none on heroic agreement or heroic group consensus. We signal our superior intelligence and our membership in the nonconformist community by inventing clever objections to others' arguments. Perhaps that is why the atheist/libertarian/technophile/sf-fan/Silicon-Valley/programmer/early-adopter crowd stays marginalized, losing battles with less nonconformist factions in larger society. No, we're not losing because we're so superior, we're losing because our exclusively individualist traditions sabotage our ability to cooperate.
You might not realize it, but in almost all of human civilization it's considered insulting to just point out something wrong someone is doing without any preface, softening, or making it clear why you're doing it.
It's taken for granted in some blunt, "say it like it is" communities, but it's usually taken as a personal attack and a sign of animosity in, oh, 90%+ of the rest of civilization.
In these so-called "normal people's societies," correcting them in front of their peers will be perceived as trying to lower them and make them look stupid.Thus, they'll likely want to retaliate against you, or at least not cooperate with you.
Now, there's a time and place to do this anyways. Sometimes there's an emergency, and you don't have time to take care of people's feelings, and just need to get something done. But surfing the internet is not that time.
I'm going to take some example replies from a recent post I made to illustrate this. There's always a risk in doing this of not being objective, but I think it's worth it because (1) I tend to read every reply to me and carefully reflect on it for a moment, (2) I understand exactly my first reactions to these comments, and (3) I
won't have to rehash criticisms of another person. Take a grain of salt with you since I'm looking at replies to myself originally, but I think I can give you some good examples.
The first thing I want to do is take a second to mention that almost everyone in the entire world gets emotionally invested in things they create, and are also a little insecure about their creations. It's extraordinarily rare that people don't care what others' think of their writing, science, or art.
Criticism has good and bad points. Great critics are rare, but they actually make works of creation even in critique. A great critic can give background, context, and highlight a number of relevant mainstream and obscure works through history that the piece they're critiquing reminds them of.
Good critique is an art of creation in and of itself. But bad critique - just blind "that's wrong" without explaining why - tends to be construed as a hostile action and not accomplish much, other than signalling that "heroic disagreement" that Eliezer talks about.
I recently wrote a post titled,"Nahh, that wouldn't work". I thought about it for around a week, then it took me about two hours to think it through, draw up key examples on paper, choose the most suitable, edit, and post it. It was generally well-received here on LW and on my blog.
I'll show you three comments on there, and how I believe they could be subtly tweaked.
1.
2.I wizened up,I don't think that's the word you want to use, unless you're talking about how you finally lost those 20 pounds by not drinking anymore.
FWIW, I think posts like this are more valuable the more they include real-world examples; it's kind of odd to read a post which says I had theory A of the world but now I hold theory B, without reading about the actual observations. It would be like reading a history of quantum mechanics or relativity with all mentions of things like the laser or double-slit experiment or Edding or Michelson-Morley removed.3.
An interesting start, but I would rather see this in Discussion -- it's not fully adapted yet, I think...Now, I spend a lot of time around analytical people, so I take no offense at this. But I believe these are good examples of what I'd call "accidental defection" - this is the kind of thing that produces a negative reaction in the person you're talking to, perhaps without you even noticing.
#1 is kind of clever pointing out a spelling error. But you have to realize, in normal society that's going to upset and make hostile the person you're addressing. Whether you mean to or not, it comes across as, "I'm demonstrating that I'm more clever than you."
There's a few ways it could be done differently. For instance, an email that says, "Hey Sebastian, I wanted to give you a heads up. I saw your recent post, but you spelled "wisen" as "wizen" - easy spelling error to make, since they're uncommonly used words, but I thought you should know. "Wizen" means for things to dry up and lose water. Cheers and best wishes."
That would point out the error (if that's the main goal), and also engender a feeling of gratitude in whoever received it (me, in this case). Then I would have written back, "Hey, thanks... I don't worry about spelling too much, but yeah that one's embarrassing, I'll fix it. Much appreciated.
Anyways, what are you working on? How can I help?"
I know that's how I'd have written back, because that's how I generally write back to someone who tries to help me out. Mutual goodwill, it's a virtuous cycle.
Just pointing out someone is wrong in a clever way usually engenders bad will and makes them dislike you. The thing is, I know that's not the intention of anyone here - hence, "defecting by accident." Analytical people oftendon't even realize they're showing someone upwhen they do it.
I'm not particularly bothered. I get the intent behind it. But normal people are going to be ultra-hostile if you do it to them. There's other ways, if you feel the need to point it out publicly. You could "soften" it by praising first - "Hey, some interesting points in this one... I've thought about a similar bias of not considering outcomes if I don't like what it'd mean by the world. By the way, you probably didn't mean wizen there..." - or even just saying, "I think you meant 'wisen' instead of 'wizen'" - with links to the dictionary, maybe. Any of those would go over better with the original author/presenter whom you're pointing out the error to.
Let's look at point #2. "FWIW, I think posts like this are more valuable the more they include real-world examples; it's kind of odd to read a post which says I had theory A of the world but now I hold theory B, without reading about the actual observations."
This is something which makes people trying to help or create shake their head. See, it's potentially a good point. But after someone takes some time to create something and give it away for free, then hearing, "Your work would be more valuable if you did (xyz) instead. Your way is kind of odd."
People generally don't like that.
Again, it's trivially easy to write that differently. Something like, "Thanks for the post. I was wondering, you mentioned (claim X), but I wonder if you have any examples of claim X so I can understand it better?"
That one has - gratitude, no unnecessary criticism, explains your motivation. All of which are good social skill points, especially the last one as written about in Cialdini's "Influence" - give a reason why.
#3 - "An interesting start, but I would rather see this in Discussion -- it's not fully adapted yet, I think..."
Okay. Why?
The difference between complaining and constructive work is looking for solutions. So, "There's some good stuff in here, but I think we could adapt it more. One thing I was thinking is (main point)."
Becoming More Self-Aware and Strategic; Some Practical Social Guidelines
From Anna Salamon's "Humans Are Not Automatically Strategic" -
But there are clearly also heuristics that would be useful to goal-achievement (or that would be part of what it means to “have goals” at all) that we do not automatically carry out. We do not automatically:
- (a) Ask ourselves what we’re trying to achieve;
- (b) Ask ourselves how we could tell if we achieved it (“what does it look like to be a good comedian?”) and how we can track progress;
- (c) Find ourselves strongly, intrinsically curious about information that would help us achieve our goal;
But I would recommend you do ask that before speaking up socially. At least for a while, until you've got the general patterns figured out.
If you don't, you run the risk of antagonizing and making people hostile to you who would otherwise cooperate and work with you.
Now, I've heard smart people say, "I don't have time for that." This is akin to saying, "I don't have time to achieve what I want to achieve."
Because it doesn't take much time, and it makes youmuchmore effective. Asking, "What am I trying to achieve here?" goes a long way.
When commenting on a discussion site, who are you writing for? For the author? For the regular readers? What's your point in replying? If your main point is just to "get to truth and understanding," then what should your secondary considerations be? If there's a conflict between the two, would you prefer to encourage the author to write more, or to look clever by pointing out a pedantic point?
I understand where you're coming from, because I used to come from the same place. I was the kid who argued with teachers when they were wrong, not realizing the long term ramifications of that. People matter, and people's feelings matter,especiallyif they have sway over your life, but even if they don't have sway over your life.
To that, here's some suggestions I think would make you more effective:
- Generally, be gracious and thankful. This goes immensely far. Things like starting a reply with, "Thanks for this" or "Thanks for sharing these insights."
- Praising someone makes it more likely they'll accept your criticisms. "I thought your point A was excellent, however point B..."
- If you're going to disagree, summarize the person's main argument beforehand - this has a few positive effects. First, it forces you make sure you actually understand. Second, if the author has a different main point and wasn't clear, that comes out. Third, it shows some respect that you actually took the time to read and understand the post. So you could write, "I know your main argument is A, but I wanted to explore your minor point X."
- If you think something is wrong, give an explanation of what would be correct and better. "I enjoyed this post a lot - thanks for that - but one thing that's tough for me is that all the examples are about martial arts, and I don't really understand martial arts so much. Maybe next time you could provide some examples from other fields? For instance, I remember reading you're an accountant and you write poetry, maybe some examples from there?"
- If you point out something is wrong, do your best to make the mistake-maker not feel stupid. This makes them massively appreciate that. "Hey, you got your math on example X wrong... I think it actually works to 11.7. Anyways, I only recognize that because I made that mistake dozens of times myself, it's a common one to make, just wanted to point it out."
- Explain why you care about a point. This has a few positive effects. First, it lets the author cater a reply to exactly what you want. Second, you'd be amazed at how many people assume evil intent and worst-possible motives - it neutralizes that. Third, it forces you to think through how you'd like things to be, which is again good. "Hey man, I really liked this post, but I wonder if you could have split it into pieces and made it a three-parter? I ask because I surf the web from work, and I can only read in 10 minute chunks... longer posts are harder for me to get through, and I like reading your writing."
- Consider correcting someone privately while praising them publicly. This combination has been observed to engender loyalty and good feelings throughout history. I recently read an example of a samurai encouraging lords to do this from the early 1700's book "Hagakure." It works.
- Consider dropping it altogether if it's not a big deal. This about learning to prioritize - I had someone comment on my site thinking mistakenly that The Richest Man in Babylon and The Greatest Salesman in the World were by the same author. It wasn't, but who cares? It makes no difference. It's not worth pointing it out - almost everyone has an aversion to being corrected, so only do it if there's actually tangible gain. Otherwise, go do something more important and not engender the potential bad will.
Further reading:
- Influence: The Psychology of Persuasion
- How to Win Friends and Influence People
- Crucial Conversations: Tools For Talking When the Stakes Are High
- Any and all books on negotiation you can find (I'd recommend you read at least five highly-reviewed books on negotiation to get different points of you)
Don't just guess here. Try it out for a month. I think you'll be amazed at how differently people react to you, and the uptake on your suggestions and feedback and ability to convince and teach people. Of course, you can construct examples of going overboard and it being silly. But that's not required - just try to make everything 10% more gracious, and watch how much your effectiveness increases.